Unified · Split
| @@ -714,8 +714,8 @@ For the first given effect that supports the selected plotting program, · 713 unmodified lines | ||
| 714 | 714 | SoX will output commands to plot the effect's transfer function, and |
| 715 | 715 | then exit without actually processing any audio. E.g. |
| 716 | 716 | .EX |
| 717 | − sox --plot octave input-file -n highpass 1320 > plot.m | |
| 718 | − octave plot.m | |
| 717 | + sox --plot octave input-file -n highpass 1320 > highpass.plt | |
| 718 | + octave highpass.plt | |
| 719 | 719 | .EE |
| 720 | 720 | .TP |
| 721 | 721 | \fB\-q\fR, \fB\-\-no\-show\-progress\fR |
| @@ -1003,7 +1003,7 @@ contains a specific endianness identifier, or for an output file that · 281 unmodified lines | ||
| 1003 | 1003 | is actually an audio device. |
| 1004 | 1004 | .SP |
| 1005 | 1005 | .B N.B. |
| 1006 | −Unlike normal format characteristics, the endianness (byte, nibble, & | |
| 1006 | +Unlike other format characteristics, the endianness (byte, nibble, & | |
| 1007 | 1007 | bit ordering) of the input file is not automatically used for the output |
| 1008 | 1008 | file; so, for example, when the following is run on a little-endian system: |
| 1009 | 1009 | .EX |
| @@ -1435,7 +1435,7 @@ The \-90 (dB) for the initial volume will work fine for a clip that starts · 425 unmodified lines | ||
| 1435 | 1435 | with near silence, and the delay of 0\*d2 (seconds) has the effect of causing |
| 1436 | 1436 | the compander to react a bit more quickly to sudden volume changes. |
| 1437 | 1437 | .SP |
| 1438 | −In this example, compand is being used as a noise-gate for when the | |
| 1438 | +In the following example, compand is being used as a noise-gate for when the | |
| 1439 | 1439 | noise is at a lower level than the signal: |
| 1440 | 1440 | .EX |
| 1441 | 1441 | play infile compand .1,.2 -inf,-50.1,-inf,-50,-50 0 -90 .1 |